Tuesday, September 29, 2009
Graffiti Art Commissioned on European Train
Paraty House, Brazil
Sunday, September 27, 2009
Showing the Black Light
Fashion Etcetera
Friday, September 25, 2009
New Kids On Le Block
Thursday, September 24, 2009
The Hollow Earth: Banksy x Radiohead
Tuesday, September 22, 2009
Sergio Rodrigues x ESPASSO
Amidst Fashion Week chaos Brazilian beats echo and caipirinhas abound to celebrate an inspired collection of new works by Sergio Rodrigues for ESPASSO. Known as the "father of Brazilian furniture" for identifying a signature aesthetic of jacarandá, peroba and imbuia wood furniture characteristic of the international scene in the 1950's Rodrigues is featured in the permanent collection of the Museum of Modern Art in New York. Accented by exclusive lamps the acclaimed "Chifruda" (aka Aspas) armchair goes on sale in numbered editions exclusively in ESPASSO's New York and Los Angeles locations this fall. Image of Sergio Rodrigues in the "Chifruda" chair courtesy of Nadine Johnson.
Monday, September 21, 2009
The Return of Robert Palmer
Sunday, September 20, 2009
Anselm Reyle and Takashi Murakami Open at Gagosian Gallery Chelsea
Friday, September 18, 2009
"Between Being Born and Dying" at Lever House
Wednesday, September 16, 2009
Gagosian and Other Criteria Open
Tuesday, September 15, 2009
Sol LeWitt "Whirls and Twirls" @ Columbus Circle
Five years in the making, the MTA is finally unveiling a giant, energetic mural in the 59th Street Columbus Circle subway station designed by conceptual artist Sol LeWitt. That the mural was installed post-humously, on what would have been LeWitt’s 82nd birthday, the absence of the artist is actually a part of LeWitt’s process. Like most of his wall-drawings, LeWitt’s specifications constitute the art, and the execution, usually carried out by studio assistants, is the manifestation of his instructions.
The mural consists of 250 porcelain tiles cut and colored to LeWitt’s exact directions. The proposal was created in 2004, during which time LeWitt selected the site and titled the work “Whirls and Twirls (MTA).” The project was included in the $108 million revamping of the Columbus Circle station. Two more circular floor works are planned for installation. We are told they are compass-rose designs in a contrasting light and dark grey color scheme. As the construction subsides passengers will be greeted by a colorfully saturated, vibrant, and playful piece of work by a world-renowned artist and one of conceptual art’s great masters.